Archive for the ‘News’ Category
Tornts : Dead Brain Diaries
Thursday, September 2nd, 2010As most of you’re probably already aware Tornts Newest release “Dead Brain Diaries” is out tomorrow September 3rd. For those of you that don’t know…well now you do. The album features Brad Strut and Billy Bunks and to be honest, i am fucking looking forward to having a good listen.
Check out Hit Never Miss from the album “Dead Brain Diaries” by Mc Tornts where Hip Hop is sold on the shelves September 3rd
Streetpress Wars : Beat and The Brag VS Inpress and 3d World
Thursday, August 5th, 2010
3D AUDIT CLAIMS UNTRUE
Street Press Australia (SPA) have been emailing advertisers and prospective clients that 3D World Victoria Edition, which hasn’t even come out yet, is CAB Audited. Just one problem. It’s not true. The email that SPA circulated said that 3D World Victoria’s circulation was 20,000 and that this was CAB audited. 3D World Victoria is not CAB Audited. It is prohibited, under CAB rules and bylaws, for Street Press Australia and 3D World Victoria to make claims in respect of CAB audited circulations because 3D World Victoria is not a CAB member and is not CAB audited. Nor has 3D World Victoria or Queensland applied for a CAB Audit according to CAB.
The SPA email goes on to say: “When doing the math on a cost per thousand basis it’s definitely affordable even for clients on a small street press budget. You’d be reaching almost 200,000 readers in one week.” This “maths” calculation is based on the claimed (but not accurate) combined CAB audited circulation of 3D World: 20,000 for Victoria, 27,000 for NSW and 18,000 for Queensland. In fact, neither 3D World Victoria nor 3D World Queensland are CAB Audited, as confirmed by CAB. These audit claims quite wrongly rely on the legitimacy and credibility of asserting CAB’s endorsement. CAB has taken urgent steps in this case to ensure its name doesn’t get used to propagate inaccurate messages, which attract advertising based on claims that are incorrect.
Furst Media, publishers of BEAT and 100%, has requested the Circulation Audit Board terminate SPA publications’ membership in CAB.
CAB (Circulation Audit Board) is the nationally recognised independent auditor of publishers’ circulation claims.
The printed edition of BEAT has a CAB audited circulation of 32,690 copies per week. 100%, BEAT’s club section, appears in every copy of BEAT.
_______________________________________________________________________________________________________________
Hi Rob, (Beat Magazine owner)
This email serves to confirm the actions taken by CAB this afternoon in reply to the information contained below. CAB takes publicity breaches seriously and a number of actions have been taken with regard to the publicity breach by 3D World.
I can confirm the following information:
· CAB has a media member called 3D World – this title has a CAB audited distribution of 26,105, 100% of which was distributed in NSW.
· CAB has not received a membership application for either 3D World Victoria or 3D World Queensland.
· The CAB audit currently in force applies to the NSW distribution associated with the audit of 3D World completed for the period ending March 2010. CAB cannot be associated with either the Victorian or Queensland editions as they are not members of the CAB.
· The addition of figures to create a total cannot be attributed to CAB unless it is audited by CAB and reported by CAB through its multi-area title reporting.
CAB has requested the following actions from Street Press Australia:
· That sending of the current email cease immediately
· That a correction/retraction be sent to all advertisers that have received the original email
· The correction/retraction is approved by CAB before being sent
CAB is currently awaiting a reply and confirmation from Street Press Australia in response to the request. I will keep you advised of actions in relation to this matter. This issue will also be listed for Board discussion at their next meeting to be held on August 19, 2010.
Thanks for your support of CAB.
With kind regards
Heather
Heather Craven
Dir Marketing & Comms
Circulations Audit Board
Level 8 15 Blue St North Sydney NSW 2060
Office: +61 2 9954 9800 | Dir: +61 2 8912 6001 | Fax: +61 2 9956 8220
Obese Block Party Announced
Tuesday, August 3rd, 2010It’s that time of the year again.
OBESE RECORDS BLOCK PARTY 2010 Aussie Hip Hop Extravaganza
October 8th @ Palace Theatre, Melbourne
Tickets: http://www.ticketek.com
Strictly 18+ (ID Required)
Doors: 8.30pm
Performing live:
M-Phazes, Illy, Spit Syndicate, Mantra, Pegz, Bias B, Dialectrix, Tuka & DJ Morgs (Thundamentals), Dialectrix, Gully Platoon, Skryptcha, Chasm & Vida-Sunshyne, Hyjak & Torcha, Reason, Simplex
Featuring supports:
Fluent Form, Ciecmate & Newsense, Maundz
And a showcase by:
The Wickid Force Breakers
More information: http://www.obeseblockparty.com and http://www.obeserecords.com
Goonbag.com 24/7 Australian Hip Hop Radio
Friday, July 16th, 2010Goonbag Radio is a 24/7 Hip Hop Internet Radio station run by the good fellas at ozhiphop.com
To stream in winamp, itunes etc just click the image, enjoy.
Don’t forget to check out Goonbag.com for live stream Every Wednesday night.
Maggot Mouf
Tuesday, July 13th, 2010Broken Tooth Records MC Maggot Mouf next release ‘You’re all ears’ will be on the shelves later this week July 17 2010. A kid from Canberra, Maggot Moufs new Album contains 16 banging tracks of ill Aussie Hip Hop.
‘You’re all ears’ includes work from Sammy Scissors, Ciecmate, 1/6, Scotty Hinds, Dekoda and additional production from the Joey Gargoyle and Bigfoot.
Have a listen to Wat U Lookin At’ from ‘You’re all ears’ below
Lil Kim Gigs Postponed
Friday, July 9th, 2010
Hip Hop icon Lil Kim has postponed the Australian leg of her tour due to visa problems. She was set to perform at The Sydney Entertainment Centre in Sydney on July 9, and in Melbourne on July 10, at the Esplanade Hotel. The dates will be re-scheduled for approximately two months from now.
Kim stated; “I love all the fans in Australia and I’m excited to be making my first trip down there to perform. I’m disappointed about my visit being delayed but I promise that the wait will be worth it.”
Source http://www.rhymeandreason.com.au/?p=1992
Updated. New gig date will be September 16. Apparently the Visa issues related to her Criminal Record. Alternatives were apparently offered by Customs i.e. loopholes. However Lil Kim wanted to everything to be done by the book…maybe she just likes flying first class
Shocking News – Guru has died RIP
Tuesday, April 20th, 2010Guru has passed away yesterday morning (April 19) after a long battle with cancer.
According to Solar, Guru suffered from the malicious illness for over a year and after numerous special treatments under the supervision of medical specialists failed, the legendary MC succumbed to the disease. Guru always tried to keep this harrowing diagnosis in private but in early 2010 he had to admit himself to hospital due to serious effects caused by the disease.
Since the onset of illness, Guru tried to live a “normal” life as an influential and outstanding musician, loving father, family man, and best friend. Doctors encouraged Guru to think positive that the cancer can be arrested and that a full recovery is possible but several special treatments including hard hitting chemotherapies failed.
While in hospital with terminal cancer, Guru wrote a letter, which was provided by Solar, to his fans addressing his illness, his shining music career, his family and loved ones.
“I, Guru, am writing this letter to my fans, friends and loved ones around the world. I have had a long battle with cancer and have succumbed to the disease. I have suffered with this illness for over a year. I have exhausted all medical options. I have a non-profit organization called Each One Counts dedicated to carrying on my charitable work on behalf of abused and disadvantaged children from around the world and also to educate and research a cure for this terrible disease that took my life. I write this with tears in my eyes, not of sorrow but of joy for what a wonderful life I have enjoyed and how many great people I have had the pleasure of meeting,” read the official Guru statement.
“My loyal best friend, partner and brother, Solar, has been at my side through it all and has been made my health proxy by myself on all matters relating to myself. He has been with me by my side on my many hospital stays, operations, doctors visits and stayed with me at my home and cared for me when I could not care for myself. Solar and his family is my family and I love them dearly and I expect my family, friends, and fans to respect that, regardless to anybody’s feelings on the matter. It is my wish that counts. This being said I am survived by the love of my life, my sun KC, who I trust will be looked after by Solar and his family as their own. Any awards or tributes should be accepted, organized approved by Solar on behalf myself and my son until he is of age to except on his own.”
The statement reads on, “I do not wish my ex-DJ to have anything to do with my name likeness, events tributes etc. connected in anyway to my situation including any use of my name or circumstance for any reason and I have instructed my lawyers to enforce this. I had nothing to do with him in life for over 7 years and want nothing to do with him in death. Solar has my life story and is well informed on my family situation, as well as the real reason for separating from my ex-DJ. As the sole founder of GangStarr, I am very proud of what GangStarr has meant to the music world and fans. I equally am proud of my Jazzmatazz series and as the father of Hip-Hop/Jazz. I am most proud of my leadership and pioneering efforts on Jazzmatazz 4 for reinvigorating the Hip-Hop/Jazz genre in a time when music quality has reached an all time low. Solar and I have toured in places that I have never been before with GangStarr or Jazzmatatazz and we gained a reputation for being the best on the planet at Hip-Hop/Jazz, as well as the biggest and most influential Hip-Hop/Jazz record with Jazzmatazz 4 of the decade to now. The work I have done with Solar represents a legacy far beyond its time. And we as a team were not afraid to push the envelope. To me this is what true artists do! As men of honor we stood tall in the face of small mindedness, greed, and ignorance. As we fought for music and integrity at the cost of not earning millions and for this I will always be happy and proud, and would like to thank the million fans who have seen us perform over the years from all over the world. The work I have done with Solar represents a legacy far beyond its time and is my most creative and experimental to date. I hope that our music will receive the attention it deserves as it is some of the best work I have done and represents some of the best years of my life.”
Guru, born Keith Elam, rose to fame in the 80’s as the founder of the legendary rap group GangStarr. The group released the classic single Words I Manifest followed by their critically acclaimed debut album No More Mr. Nice Guy (1989) and the classic album Step In The Arena (1991). Guru was the first artist to truly blend Hip-Hop with Live Jazz beginning in 1993, and seeing the vast influences his Jazzmatazz concept has had on the industry, it is clear that Guru’s musical contributions have been way ahead of their time. Guru has worked with such great artists as Herbie Hancock, Isaac Hayes, Donald Byrd, Ramsey Lewis, Roy Ayers, Chaka Kahn, Branford Marsalis, David Sanborn, Bob James, Erykah Badu, The Roots, Common, Angie Stone, Jamiroquai, Macy Gray and Damien Marley, to name a few. Despite the fact that Guru isn’t hailing from New York, he is noted as a pioneer of the New York sound and true lyrical Hip-Hop. Guru later on joined forces with hit producer Solar and formed his label 7 Grand Records with the goal to keep “real” Hip-Hop alive.
Guru’s longtime partner, Solar, issues an official statement about the lost of the legendary MC which you can read below:
“The world has lost one of the best MCs and Hip-Hop icons of all time — my loyal best friend, partner, and brother, Guru! Guru has been battling cancer for well over a year and has lost his battle! This is a matter that Guru wanted private until he could beat it but tragically this did not happen. The cancer took him. Now the world has lost a great man and a true genius. For the fans that reached out with love and support, I can’t tell you how much that meant to Guru and myself. Guru prepared this letter [read above] while he was in the hospital for the fans. I hope now that Guru has moved on to a better place! Guru is a great Black American Hero and should always be remembered as such and he is much more that just a Hip-Hop icon — he has changed the world for the better. I salute my fallen brother Guru! He will be missed tremendously!” Solar stated.
SoulMate Records sign with the Devil
Thursday, March 18th, 2010
Just Kidding, I actually think this is pretty awesome.
Soul Mate Records home to 360 and Pez and by have signed a licensing deal With EMI AUS. This is a pretty big step for Australian Hip Hop with local produce having been shunned by the majors for years. Sure there have been other signings but generally they weren’t let’s say “scene established”. A licensing deal generally means the record label gets a set fee in exchange for manufacturing, promoting and distribution. It can also mean if there’s a bucket load of album sale that they get a major chunk of the spin, if not all of it. It is no secret that Majors and even Independents have cottoned on to the increase in touring value as well. But it works both ways, will they have more festivals to play their festivals songs at? Will there music actually improve cause they can concentrate on it without worrying about how they are going to pay rent next week?
I think so and with 360’s new album Falling and Flying due later this year, it will be pretty interesting to see if that’s actually true.
You can check a couple of tracks from 360’s upcoming records here http://www.myspace.com/emcee360 – Oh Yeah, Licensing deals often differ greatly. So that’s just a general guide for those that aren’t aware. SoulMate could be something totally different. they might answer your questions here soulmaterecords.wordpress.com
Hau’s Version Excursion – ‘Believe’
Friday, February 12th, 2010Hau from Koolism and Triple J’s Hip Hop Show has done his own take on Brad Strut’s “Belive”. We posted that a few months ago. He obviously loves the track as much as us.
Also in the works from Hau is a solo mixtape due Feb 14 called ‘Love the Beast’ you will be able to download a copy from his site http://hauiebeast.blogspot.com. If that ain’t enough for you Koolism fans. check out ‘Hanz High’ which you can download here http://bit.ly/hanzhigh
FORCE & SPARTS – POWERLINES – JAN 15 – FREE DOWNLOAD
Sunday, January 3rd, 2010
Preview Mix: FORCE & SPARTS MYSPACE
Relative new comer to the scene Sparts joins G Force, following his successful debut release Clouded, to bring you a free offering of straight spitting madness to accompany your summer beverages.
Featuring guests Mol One, Haunts, Maundz and Thorts and a mix of exclusive beats from WIK, Blazin Marty and Xcise as well as some jacked favourites ensure it bangs from start to end.
Tracklisting:
Transactions
I Believe
Microphone Madness (Production: WIK)
Powerlines Ft: Maundz
Wage War
Run Ft: Thorts (Production: Xcise)
Straight To The Arm
Full Metal Box (Production: WIK)
Militant Boom Bap Ft: Haunts, Mol One (Production: Blazin Marty)
Deeds Not Words
JAN 15 – FREE
The Optimen Crew – ‘The Out Money Experience’ Preview
Wednesday, November 25th, 2009
Heads are fiending for the New Optimen Crew release, due March 2010. In the mean time, Red Tape Entertainment has been kind enough to let us have a listen to a feature track called Fire Fighters. If you like what you hear you can show your support or hear more tracks at their myspace account below.
In the mean time have a listen to Fire Fighters
http://www.myspace.com/theoptimen
Zulu Nation 2009 Anniversary pics.
Tuesday, November 24th, 2009Some interesting pics from the 2009 Zulu Nation Anniversary gig. Pics are by Charlie Ahern. You should probably go to his website http://www.wildstylethemovie.com/ and buy some shit off him.
Click on the image to see more pics. You may need to login to Facebook to view.
Looking good Excel!
FLUENT FORM – THE FURNACE REVIEW
Thursday, November 5th, 2009
I put Fluents first release ‘Chapters of Substance’ into my CD player before writing this review on his new album ‘The Furnace’ to see what’s happened since then purely for my own knowledge. I am not one to compare and artist to their previous works; although I do think an artist should progress with each release, I try to hold each offering on its own. I couldn’t do that with ‘The Furnace’ purely based on how much the album is ahead of ‘Chapters’ in all areas.
Opening with the quick head smack ‘Spit Surgeon’ we see that Fluent has melted into his flow and style and that his confidence levels have boosted to a level that makes it evident through the mic to a point that you can really feel everything he is spitting. ‘Every Step’ takes us on a thoughtful, insightful and personal journey that brings us to the point that Fluent is at now, and he seems mighty comfortable there as displayed in ‘Lead Pipe Languages’. The heat doesn’t let up for a second as Fluent is joined by Maundz and Fatty Phew over a massive WIK beat on ‘Loco Motive’. Once again this builds further anticipation for a Maundz solo and shows us that Phew is still killin shit out G Town way, all three emcees destroy shit. Another triple threat guest spot comes on ‘Take Notice’ featuring Brad Strut and Ciecmate, who is on the production tip as well. Fluent steps up his whole rhyme structure and comes with a technical, metaphor filled verse that is arguably the best verse on the track.
Fluents progression is further shown over the next few tracks with ‘Short Stories’ and ‘Paper Chase Days’; highlighting his ability to paint a picture with words, and ‘The Furnace Cometh’ and ‘Endless Road’ showing us his skills to switch up flow and his huge presence over a smooth bassy Geko banger. The horns come thick on the Doc Felix produced ‘Authorized’ which gives Fluent a bit of swagger to his vocals that suit the track perfectly. Fluent has a good ear for beats that will suit him and has chosen wisely from a large array of varying producers including Discourse, Geko, WIK, K21, Ciecmate, Doc Felix and Must. That’s a fucken production line up. As spoken about earlier his guest emcees are suited perfectly, again shown on ‘4 Aces’ with Mata, Must and an insane verse from 1/6, Pang in the house. Nothing comes close to a crew cut though and Crate Cartel heads Raven and Geko join Fluent on ‘Capo Regime’ in a back and forth exchange that shows why the label has quickly earned a reputation for quality product. All emcees kill it, the interaction is great and the Geko banger has a layer of funk that makes this track one of the biggest highlights on the album. Finishing on ‘Bright Lights, Dark Shadows’; Fluent takes a look at both sides of Melbourne city in a lyric assault with an unforgiving flow, impressive.
‘The Furnace’ is a solid album from start to end for real hip hop lovers. At first listen some may find Fluents flow and delivery a bit intense but after a few listens the true style to it shines through and you hear his ability to focus on a variety of topics and emotions through his tracks. The guest spots are relevant and of high quality as is the production. There is no reason to not go out and purchase this album, good work.
click here and check the new Video from Fluent Form titled “Every Step”
also check out the Melbourne Album launch with Ciecmate & Newsense!

Top Billin Radio
Thursday, October 15th, 2009Level Headed mixes it up with the Spice Of Life.
Monday, October 12th, 2009
Train Of Thought member Level Headed has just dropped his long awaited solo album Spice Of Life. This South Australian took some time out to have a chat to our own G Force about the inspiration behind the album, the good and bad of being part of a group and the general state of oz hip hop at the moment. Not to mention get you hyped up for what promises to be a hectic tour to launch the album.
First up congrats on the album Spice Of Life. 5 years since the Train Of Thought (TOT) album. Were their plans for another crew album, was the solo first up or did it just turn out this way?
It just turned out that way; Debate is master beat maker since the early days before TOT, since 96. He was still making beats whether we were doing anything or not. After TOT dropped I moved to the country to teach and half the crew went overseas so it fell apart a bit. It was hard to get everyone together. I had gathered a few beats from Debate, just making a few tracks to stay in it and it got to a point where we realized we could do an album. Then I heard from Hacksaw after 3 years missing and we hooked back up. Then TOT just jumped in. We somehow got verses from everyone and it sort of became a TOT album almost under my name. I am happy to rep though, anything out of Debate’s lab is under the TOT label or TOT productions. We don’t have plans for another TOT album though; it is too hard to get all 4 of us together to write on the same topics and wavelength.
Using Debate the whole way through creates a “complete sounding” album, were you looking at other producers at any stage?
I maybe would have looked but I moved to country SA and lost contact with a lot of the scene. I knew I could have asked Suffa and Trials but I know they are flat out. Reflux was meant to cut when Hacksaw was AWOL but he came back. Next album I will use a few more producers. I mean Debate has hundreds of top quality beats with a fair bit of variety, definitely not all the same but he is a good mate and regularly see him so we will have to wait and see.
There is an SA style on the album. If I didn’t know who you were and where you were from I could still pick it as an SA album. Where do you think this style comes from and are you even aware of it or am I just categorizing SA?
I think because we had such prominent leaders in the Hoods who led the way they influenced everyone with their style and people came out similar. Also the twang of the accent. I do agree though, I think Social Change and now Headstrong Company have that same vibe also.
There is a reasonable upbeat party kind of vibe on the first half of the album then it switches to a bit darker. Is this a play on the spice of life and the good and bad theme throughout?
The album definitely had a lay out which fitted best in my head, which is the way it felt right. I kind of wanted beats with guitars at end for some reason. I also didn’t want to blow people away with deep shit straight away. Light hearted to heavy. It also starts with the solo tracks, first five to run with then onto the tracks with features.
Of the heavier and darker tracks, “Too Late” really stood out, especially as you are a teacher, where did the inspiration come from for this track?
I was fascinated with the massacres and the issues behind them. Kids getting picked on, youth alienation and so forth. At first I had written the track addressing these issues directly but I thought it came off a bit soft, I wanted a bigger impact. Some people gave me advice to not do it as I was a school teacher. I try to keep it separate though; my students can’t buy my album off me. For the most part I tried to keep the album clean. Trials destroyed that with his huge amount of weed references in one verse though, haha.
So do the Kids and their parents know you are an emcee?
Yeah for the most part they do. I try not to swear when I spit to me swearing is not used to show lyrical ability. I try to keep topics a bit coded and subtle, using samples of tracks to highlight stuff about past shit like smoking.
8th degree on the track “Bring Them Down” is a Hed Pe kind of hook, is this something you have been trying out, how did it come about?
Yeah, more a sort of a Rage style I was keen on trying it out. I wanted to do something not many people have done and I had mates who we could work with. Everyone has chicks on choruses and orchestral stuff and it seems a bit unnecessary at times and people doing it just because it is what they think a hip hop track should be like. It was something different I wanted to do without compromising or selling out, but still different. Few beers later and we worked it out. 8th degree were a late 90’s metal band that I know, they are inactive now so it was kind of a shout out to them.
Besides that track most have a 4 bar emcee layered hook that would work well live. What is the importance of sing a long live show hooks?
The TOT album only had two tracks with actually hooks the rest were cuts and it was awkward and weird live. So I learnt from that in what works better live, I continuously progress with live shows in mind. I really just wanted something to do during hooks! Hip hop is going towards a more hook related style with more focus on song structure. I don’t see why everyone needs to use birds on every hook though, bit of overkill. Some tracks I am enjoying are killed when a chick starts to sing on the hook when it really isn’t needed and I switch off.
Who chose tracks on the interlude “bring ya back to life”?
Me and mates sat down and chose them together after recording on weekends for the whole first part of the year. We had 30 tracks at the start! They were all well known, and it was hard to cut down anymore. I wanted a unique skit. We have a live rendition of bring ya back to life, juggling then into the scratches of that interlude, smashing it.
Back to SA, bigger crews blowing up, Oars, Hoods, has it affected the scene there and expectations?
Probably not too much, I mean Hoods are alone when it comes to their level but Oars are probably on the same level as some Obese and Elephant tracks artists. Like anywhere you have a top tier of artists and it then works it way down. There is a lot of respect in the SA scene and people know who has been around for a while. I would say the younger people who are killin it though would be Riverland, Social Change. Dialect. The expectations are high but I think people are meeting it. Of course you gotta check for Vents, Oars, Hoods and also Headstrong and Trane.
So where do you stand on young kids releasing product early? Do you think people should be releasing EP’s, demos or Full Lengths? Is the scene swamped?
To an extent, no one is saying you have to press 3000 copies. I have received good feedback on my CD but now my distro company Amphead has folded so I have to do self distro. There is no one stopping you doing it, so if kids want to press up stuff they can do it. CD cost $2, sell it for $5. No one is buying Cd’s, so it is still just to get your name out there then you need to focus on Merchandise and shows. Having an album, 12 tracks instead of 6 is where it is really at though; no one can fuck with that feeling.
So you think it will go back to people hustling their own stuff, backpacks as a way of selling?
It is disappointing but I don’t know whether it will ever go back to the old school way of slinging CD’s. People still download; they just don’t want to pay for it. iTunes has fucked it. People tell me, hey I heard ya CD but they didn’t buy it and friend just loaded it onto their iTunes. They don’t realize the effect it has on artists. Create another medium, MP3 sticks that blow up like James Bond after downloading. I pressed 2000 copies after we sold 3000 of Moving Heads. I am confident in the album but two weeks after it dropped there are 30 sites to download it and there is nothing you can do about it! If someone shows enough interest I would give them a free copy rather then having them download it. I want people to have it and the artwork and see the work put into it and have people appreciate it. Read about it and get involved in it. We are a bit saturated though there is so much music to get and gather. I understand people can’t afford to buy it all.
You have a Reason Collab from Melbs but the rest are from SA. Anyone else you wanted to collab with Aus Wide?
Reason and I are both teachers and this is something we had in common, I met him through uni and stayed with him in 04 while on tour with TOT. He is a legend and we get along real well. I jumped on his album Life’s a Lesson and an 8 bar verse on jump ahead. So we did the 24 to one remix. It was a fucking nightmare to do, took weeks to write. It was really hard to do, hard to feel it, I really wanted it to be more than just a count down, and it had to sound concise. As for other artists I am too far away, I would like to work with Thundamentals and Dialectrix. I don’t want to work with people unless I have had beers with them though and get along. We have just had City Wide from Geelong, jump on as a clothing sponsor with 3rd Chapter clothing so I am pretty sure I will do something there. I mean Pressure owes me a verse and he knows it. Suffa owes me a beat. But I am not one to seek charity or push mates, I am not going to cash in off their success.
Tour upcoming? What can we expect, looking forward to it?
We have written a new intro, coming out to an old song with specific intros for each state. We got Headlock and Trials in Adelaide with their verses, Reason in Melbourne with his. It is just a vibing show, want it to be a fun show. We have spent a long time rehearsing with better integration of the DJ. I want to turn the DJ into a part of the group lyrically. I have seen a lot of live sets try this and not do it well but I reckon we got it locked. I would love if I could jump on the decks like Finesse but I can tell you that ain’t happening!
www.levelheaded.com.au
www.myspace.com/levelheadedmc
Goto to check the new Video from Level Headed titled “The Hills”
Pick up Spice Of Life from all good Hip Hop outlets and check the launch coming soon near you! Check the flyer on your right for gig details!






